Sanguine Paint, I1

Experiment

Heritage

Research

Technology

Sanguine reconstruction of a recipe by Johann Kunckel (1679)

Material

Glass
Pigments and glazes

Craft

Other

General Technique

Combining
Structural modifying
Other

Specific Technique

Mixing; Grinding; Painting; Firing

Properties & Qualities

Application

Art, Sample making

Qualities

2D, Colourful, Rigid, Translucent

Colour

Red

Sample Information

Date of creation

09/21/2019

Process & Production

This recipe consisted of a mixture of three materials, iron(II) sulphate heptahydrate (FeSO4·7H2O), lead-silica glass (PbO·SiO2), and red earth (Crayon Rouge) (Al2O3-SiO2-Fe2O3) in the proportion of 4:4:1 by wt. The lead-silica glass had been previously prepared according to Félibien (1676) and Blancourt (1697) (PbO: SiO2, 3:1 by wt). This mixture was then ground in water and painted on a glass with gum Arabic dissolved in distilled water. Finally the paint was fired at 620ºC for 30 minutes (ramp 3ºC/minute).

Find more at:
Â. Santos, M. Vilarigues (2019). Sanguine Paint: Production, Characterization, and Adhesion to the Glass Substrate. Studies in Conservation 64, 4, 221-239.

Recipe Details

Ingredients:
iron(II) sulphate heptahydrate (FeSO4·7H2O), lead-silica glass (PbO: SiO2, 3:1 by wt), red earth (Crayon Rouge) (Al2O3-SiO2-Fe2O3), gum Arabic, distilled water.
Recipe Source: Sanguine reconstruction of recipe number 43 by Johann Kunckel (“Ars Vitraria experimentalis”, 1679, pp 353).

Credits

Craft Maker

Ângela Santos

Library Contributor

VICARTE, NOVA

Photographer

Ângela Santos

Other Materials

View random material