Sanguine Paint I3

Experiment

Heritage

Research

Technology

Sanguine reconstruction of a recipe by Johann Kunckel (1679)

Material

Glass
Pigments and glazes

Craft

Other

General Technique

Combining
Surface modifying
Other

Specific Technique

Mixing; Grinding; Painting; Firing

Properties & Qualities

Application

Art, Sample making

Qualities

2D, Colourful, Rigid, Translucent

Colour

Orange, Other

Sample Information

Date of creation

10/02/2019

Process & Production

According to this recipe, antimony, lead oxide, and iron rust should be ground together and then used as a paint. In this case, the antimony may have been used to enhance the oxidation of iron compounds associated with rust. All the other recipes for sanguine in this source call for a vitreous binder, except this one. To determine the best interpretation of this recipe, two reconstructions were made: recipe I3 without glass (I3wo/g) and recipe I3 with glass (I3w/g).
This recipe (I3wo/g) used antimony(III) oxide (Sb2O3), lead(II) oxide (PbO), and iron rust (Fe2O3·nH2O) in the proportions of 3:3:1 by wt. This mixture was then ground and painted on a glass with gum Arabic dissolved in distilled water. Finally the paint was fired at 620ºC for 30 minutes (ramp 3ºC/minute).

Find more at:
Â. Santos, M. Vilarigues (2019). Sanguine Paint: Production, Characterization, and Adhesion to the Glass Substrate. Studies in Conservation 64, 4, 221-239.

Recipe Details

Ingredients:
antimony(III) oxide (Sb2O3), lead(II) oxide (PbO), and iron rust (Fe2O3·nH2O), gum Arabic, distilled water.
Recipe Source: Sanguine reconstruction of recipe number 51 by Johann Kunckel (“Ars Vitraria experimentalis”, 1679, pp 395).

Credits

Craft Maker

Ângela Santos

Library Contributor

VICARTE, NOVA

Photographer

Ângela Santos