Sanguine Paint, M1

Experiment

Heritage

Research

Technology

Sanguine reconstruction of a recipe by Pierre Le Vieil (1774)

Material

Glass
Pigments and glazes

Craft

Other

General Technique

Combining
Surface modifying
Other

Specific Technique

Mixing; Grinding; Painting; Firing

Properties & Qualities

Application

Art, Sample making

Qualities

2D, Colourful, Rigid, Translucent

Colour

other

Sample Information

Date of creation

11/10/2019

Process & Production

In this recipe following ingredients were individually reduced to a powder in a bronze mortar: iron fillings (Fe), natural haematite (Fe2O3), lead-silica glass (PbO·SiO2), lead(II) oxide (PbO), and gum Arabic in the proportion of 1:5:2:1:1 by wt. The lead-silica glass had been previously prepared according to Félibien (1676) and Blancourt (1697) (PbO: SiO2, 3:1 by wt). The powdered mixture was placed in a glass and distilled water was added (1:3 wt/v). After three days the solution was carefully decanted to another glass and placed inside, on a windowsill in the sun, until all liquid had evaporated. The powder was then painted on a glass with gum Arabic dissolved in distilled water. Finally the paint was fired at 620ºC for 30 minutes (ramp 3ºC/minute).

Find more at:
Â. Santos, M. Vilarigues (2019). Sanguine Paint: Production, Characterization, and Adhesion to the Glass Substrate. Studies in Conservation 64, 4, 221-239.

Recipe Details

Ingredients:
iron fillings (Fe), natural haematite (Fe2O3), lead-silica glass (PbO: SiO2, 3:1 by wt), lead(II) oxide (PbO), and gum Arabic, distilled water.
Recipe Source: Sanguine reconstruction of a recipe by Pierre Le Vieil
(“L’Art de la Peinture sur Verre e de Vitrerie”, 1774, pp 126, first recipe).

Credits

Craft Maker

Ângela Santos

Library Contributor

FCT-NOVA, VICARTE

Photographer

Ângela Santos

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