Susan Cutts
The process of the papermaking is vitally important to the work.
Q&A
Artist Statement
The complex structures of the fibres enables me to create sculptures without the use of glue stitching or armatures. Producing an acid free paper ensures the longevity of the work.
What inspires you to work with this craft?
Original inspiration the Foundling Museum. The Foundling Hospital was established for babies, young children who could not be cared for by a parent, hope faith and charity was provided. Today with war, flood, famine, earthquake and poverty these three virtues are still very much needed.
Media & Contact
Location
United Kingdom
Other Craft Practitioners
-
Aggelos Rigas
At a young age, experimenting with manual skills crossed paths with my fascination with light and its sources.
-
Klaus U Hilsbecher
I create sculpture in flat glass in my studio only by myself, using fusing slumping cutting grinding polishing and assembling techniques
-
Simos Antoniadis – ULURU
As a trained architect and designer, I tend to obsess with forms and textures -contrary to freeform creations- mainly using the wheel to shape, trim and create utility & decorative items. Objects that look industrial but feel handmade.
-
Ruth Davies
I’m a patternmaker & woodcarver specialising in traditional foundry patterns.
-
Suri Poulos
Porcelain Nerikomi Practical Ceramics
-
Arianna Annunziata
Ancestral and ecological assembly techniques
-
Theodoros Galigalidis
My first contact with ceramics happened at a laboratory in the neighborhood where I grew up. The art of wheel throwing that was taking place in front of my eyes and the magic of creation were the catalysts for my career in ceramics.
-
Jessamy Kelly
Curious, connected, optimistic, determined
-
Eileen Singleton
My slab built ceramic pieces are a recording of my experience of a particular place