Sanguine Glass Paint, C3

Experiment

Heritage

Research

Technology

Sanguine reconstruction of a recipe by Montpellier (1536)

Material

Glass
Pigments and glazes

Craft

Other

General Technique

Combining
Surface modifying
Other

Specific Technique

Mixing; Firing; Grinding; Painting

Properties & Qualities

Application

Art Sample making

Qualities

2D Colourful Translucent

Colour

Red

Sample Information

Date of creation

September 6th, 2019

Process & Production

The ingredients called for were iron rust (Fe2O3·nH2O), sodium chloride (NaCl), and sulphur (S), mixed together in the proportion of 2:2:1 by wt. Wine vinegar (CH3COOH) was to be added until a paste was formed. The mixture was made according to the recipe, and then fired in an electric furnace for eight days at 600°C (red fire). It was surmised that adding vinegar created an acid environment to facilitate the oxidation reaction of rust impurities such as magnetite (Fe3O4) toobtain haematite (Fe2O3). Then the powder was grinded and painted on glass with gum Arabic dissolved in vinegar.

Find more at:
Â. Santos, M. Vilarigues (2019). Sanguine Paint: Production, Characterization, and Adhesion to the Glass Substrate. Studies in Conservation 64, 4, 221-239.

Recipe Details

Ingredients:
iron rust (Fe2O3·nH2O), sodium chloride (NaCl), sulphur (S), vinegar (CH3COOH), gum Arabic. Recipe Source: Sanguine reconstruction of a recipe number 58 by Montpellier (“Recette per fare vetri colorati et smalti d’ogni sorte havute in Murano”, 1536) in Luigi Zecchin’s “Vetro e Vetrai di Murano” (1987, 247–76).

Credits

Craft Maker

Ângela Santo

Library Contributor

Ângela Santos, FCT-NOVA, VICARTE

Photographer

Ângela Santos