“(s/b)3D” variation on mesh

Experiment

Technology

Traditional

A white super stretch mesh was used as the base material. It was cut into squares the same dimension as the printing bed. The first 2 layers of the design were printed on the 3D printing bed and then the printer was paused the fabric was taped on top and then the printer was refused allowing the filament to sink through the holes in the mesh to bind with itself trapping the material between. The filament used for this sample was a UV reactive filament that emits a glowing green in the dark when charged with UV light.

Material

Experimental materials
Fiber

Craft

Printing
Textiles

General Technique

Combining
Constructing
Surface modifying

Specific Technique

A white super stretch mesh was used as the base material. This fabric was chosen to test the ability and functionality of supporting low relief 3D printed embellishments. The 3D printed embellishments were printed onto the material by trapping the fabric between printing layers. The design was printed on the main bed of the 3D printer for X2 layers and paused, then the mesh fabric was taped on top of this. The printer was then resumed and continued printing the design on top of the fabric, the wet filament sinked through the mesh holes and bonded to the first 2 layers printed trapping the fabric between.

Properties & Qualities

Application

Art Sample Making

Qualities

Textured

Colour

Green White

Sample Information

Date of creation

April 2021

Dimensions

Width 20cm x Height 20cm x Depth 5mm

Weight

39g

Culture & Context

This sample is inspired by bees incredible ability to see the world through UV (ultra violet) vision. They see the world in a different way to us opening the bees up to
seeing hidden UV patterns on flowers and throughout nature. As well as looking at how bees see the world I also dived into the anatomy of their eyes and the thousands of tiny hexagonal lenses that make up their eye. Influenced by this structure the low relief embellishments were designed to look like many small hexagonal tubes that made up one hexagon, that was then repeated. This pattern is similar to the structure of the bees eyes when sliced in half to see the inside (diagram).

Process & Production

The process of this material was firstly to research and see what materials were suitable to 3D print onto. The material that was most suitable for initial testing was a  very light weight super stretch mesh. The 3D printed design was created using the Rhinoceros 3D modelling software and then printed using a 3D printer. The first two layers of the design were printed on the base of the printing bed, the printer was then paused and the mesh fabric was taped on top. The printer was then resumed and it continued to print on top of the fabric seeping through the mesh gaps in the fabric when wet and bonds to the first few layers of filament printed trapping the fabric between. The filament used for this sample was a UV reactive plastic based filament that when charged with UV light will emit a glowing green colour in the dark.

Recipe Details

The 3D printer used to produce this sample was a Prusa i3 Mk 2.5s.
The extruder is set at 215/210c.
The print bed is set at no heat.
2 layers are printed first before adding the textile on top to continue printing.

Credits

Craft Maker

Amy Kerr (AK Textiles)

Library Contributor

National College of Art & Design Ireland

Photographer

Amy Kerr

Practitioner