“(S/b)UV”

Experiment

Technology

Traditional

This sample was handwoven on an ARM Touch60 Loom. The honeycomb weave was created using 24 shafts and a pointed draft, each block of the honeycomb weave has 48 ends each being the largest honeycomb possible on this loom. The warp of this weave is an ice blue, extra fine monofilament polyester (donated dead stock from Botony Weave). The weft of this sample is a fine UV reactive yarn. This yarn emits a glowing green light in the dark after being charged with UV light. The piece looks like a translucent material when seen in daylight however changes to a bright green in the dark creating an alternative appearance of this material as it changes.

Material

Experimental materials
Fiber

Craft

Textiles

General Technique

Combining
Constructing
Structural modifying

Specific Technique

Honeycomb weave across 24 shafts on an ARM Touch 60 loom. Hand-woven using a UV reactive yarn (86% polyester transept & 14% polyamide). The width of the warp is 12” and the length is also 12”. A pointed draft was used to create the large honeycombs and the wrap yarn used is an ice-blue monofilament yarn from headstock yarn curtesy of Botony Weaving Mill.

Properties & Qualities

Application

Art Sculpture

Qualities

Textured

Colour

Blue Green White

Sample Information

Date of creation

Designed April 2021, Framed Piece created July 2022.

Dimensions

Width 8inches x Height 10inches x Depth 1inch

Weight

712g

Culture & Context

Bees have incredible vision, they have ability to see the world through ultra violet (UV)  light. They are able to see hidden UV patterns on flowers and in other areas of nature. This inspired the material “(s/b)UV”. This material appears one way in day light and after being exposed and charged by UV it then emits a glowing green in the dark. Just like the flowers have hidden patterns, this material also has hidden patterns which can be exposed through UV light.

The honeycomb weave structure is also inspired by the bees honeycomb structure from their hives. This strong and thick structure is hollow and has many different functions and qualities. The woven structures very similar to the bees structure which is why it was used. Mimicking the structure yet still being different.

Process & Production

The process of this material was hand weaving the honeycomb structure on a 24 shaft ARM Touch60 Loom using all 24 shafts. There is a lot of time spent on setting up and calculating the woven structure as well as the actual weaving of the sample. Using a fine UV reactive yarn in the weft this piece can glow and change in the dark. When the sample was taken off the loom it was finished by sewing the edges.

Recipe Details

24 shafts using an ARM Touch 60 loom.
Pointed draft was used with a warp width of 12” and sample length of 12”.
There are 60 ends per inch (epi) for the warp and a weight of 150g.
Warp yarn : ice-blue monofilament polyester yarn from dead-stock yarn from Botony
weaving mill.
A honeycomb structure across 24 shafts was the structure used, the largest
honeycomb structure possible with this set up. 48 ends per honeycomb block.
Weft yarn : a UV reactive yarn (86% polyester transept & 14% polyamide).
Once weaving was complete, sample was removed form loom and edges were
stitched to secure before mounting to canvas to frame.

Credits

Craft Maker

Amy Kerr (AK Textiles)

Library Contributor

National College of Art & Design Ireland

Photographer

Colm Kerr Arc Studios Ltd. & Amy Kerr

Practitioner