Ruth Elizabeth Jones

Celebrating the past but crafting the present I make hand-built vessels using coils of clay, following the same method used by matriarchal Neolithic potters from prehistory

Q&A

Artist Statement

A holding and containing space is implicit in my clay vessels, feminine forms often with wide hips and generous bellies. They are informed by world ceramics as far back as the neolithic; pottery made in matriarchal societies. I work with a meditative focus and my intention is that some of this energy is retained in my work: hand-built statement pieces and curated collections for interior settings.

What craft do you work with?

Clay – Hand built – Ceramic

What inspires you to work with this craft?

Simultaneously dealing with inner volume, outer form and surface, the vessels reflect my body: the arc of my arm drawing the metal tool, the shape of my hand refining the surface and rim

How do you start your creative process?

My work draws on certain sophisticated forms from the European Neolithic and more familiar historical wares. My intention is that some of the meditative focus of making is retained within the work.

How would you best describe your workspace and what tools could you not do without?

Working from my studio in rural Dumfriesshire I experiment with blending clays and smoke-firing techniques using sustainably sourced shavings of soft and hardwoods resulting in uniquely textured and light responsive surfaces.