Small batch, folk-inspired jewellery
Wood, peat , paper, preserved moss, sheep fibre
Informed by antiquity; authentic and mindful
Key drivers to the way I approach making would be a deep-seated curiosity, a need to experiment with materiality and a bold approach to design, meaning and composition of the object.
Lost on a planet ready to change the world.
Visual artist with passion for fairy tales and books
Rennie’s practice consists mainly of printmaking, having done her masters in Contemporary Printmaking in the Glasgow School of Art.
Ayelet is an award-winning Irish figurative ceramic sculptor
Having fun and enjoy life is part of our creative process.
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Bio-material – solid – textured – experimental
Madder Rose
Translucent. Light. Shadow.
Carved wooden pattern for cast-iron
3D-printed doorhandle